Close
Reading Essay |
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Assignment |
Close reading,
as we have learned, is the foundation of literary criticism.
For this essay, you need to employ your close reading skills in
the service of an argument you wish to make about one of the first
three novels we are reading this semester. You will construct
an argument that explains one or more aspects (other than plot)
of one of these novels — characterization, narrative, symbolism
and other figurative language, structure, and so on — and
its relationship to the novel’s theme. Your focus
should be on the inner workings of these works, the hows and whys,
not the whats and whos.
No matter which
novel you choose, the text you are working with is far too extensive
to be examined fully in a paper of this length. One can conceivably
perform a close reading of an entire poem; one cannot close read
a novel. All that one can do is define a topic, find the passages
relevant to it, and read those passages painstakingly — while
understanding the novel as a whole well enough, of course, that
your specifically focused reading does not distort it. Narrowing
your focus and choosing relevant passages to quote are thus key
to this assignment.
Close reading
of portions of the text is essential to this essay. However,
you may also want to consider one or more kinds of context
that you think are relevant. If you do, just make sure that
your examination of the context is the means to an end, not an end
in itself. In other words, your essay must still focus on
the text and use context in order to help your reader understand
it; the context must not become the focus of the essay.
Again, to help
you with the process of this essay, you will submit a tentative
thesis and several proposed quotations with explanations of how
you plan to use them significantly before the actual essay is due
so you can receive feed-back from me prior to submitting your work
for a grade.
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Guidelines |
Again, a strong thesis, explicit argumentation, and carefully chosen
support are key to this assignment. One could almost say that the
narrower the thesis for this essay, the better.
You should
assume your readers have a college-level vocabulary and own a dictionary
(thus you do not have to define words, unless the meaning the author
intends is not the usual one), and that they have read the relevant
work and understand its plot. You are writing an interpretive
argument, not a plot summary, so do not waste time recounting what
happens in the novel. instead, quote passages and discuss not only
what they mean, but how the way that the author expresses those
ideas reinforces or recapitulates that message
While you need
to be even more selective in your quotations this time — these
works are both obviously much longer than any option for the first
essay — you should be just as diligent in grounding your arguments
in quotations from the text. I recommend that every paragraph
in your essay (with the exceptions of the introduction and conclusion)
contain at least one quotation from the text.
You may use secondary sources, provided you quote and cite them
properly. However, you must use them, not submit
to them. Quote and engage with a critical work by expanding
on it, arguing with it, or applying it to a portion of the text
the original critic did not; do not merely parrot what someone else
has said. Special rule: you may not quote any critical
work more than twice, and only one of those quotations can be long
enough to be set-off. Failing
to cite critical quotations or quotations from the work itself will
result in a low grade (no higher than .8) on the Style and Format
portion of the evaluation. Failing to include a Work Cited
entry for every source will result in a .1 penalty to that grade.
See the Quotations and Citations
Guidelines for help with formatting quotations and citations.
The paper may
be either open- or closed-form. Either way, you should have
an introduction to the paper in which you establish either the issue
you are exploring (open-form) or your thesis (closed-form).
You should not quote the work in your first paragraph. Again, the
conclusion of your paper either states the thesis (open-form) or
summarizes your argument and re-connects it to the thesis (closed-form).
Just as you should not quote in your first paragraph, you should
also not be quoting and analyzing the poem in your conclusion.
See the Thesis
Statements, Form, Introductions, and Conclusions and
Conventions for Papers in the
Humanities pages for help with various aspects of literary
essays, including giving your essay an appropriate title.
Review the Types
of Context Relevant to Literary Works to see what
kinds of context might be relevant to the work you choose.
Follow the Format Rules and Quotation
and Citation Guidelines exactly. Carefully check
your work against The
Inexcusable Error List and Advice
on Cutting Words.
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Choice
of Works |
You have three options and possible due dates for
this assignment. Here is some advice about each:
Option 1
— (preparatory work due 29 October, essay due 14 November):
The Sun Also Rises by Ernest Hemingway. Writing
about a classic novel can be daunting. You will find virtually
any ground you would want to cover well-trod. On the
plus side, you can find as many secondary sources to help you
as you could possibly want. However, the possible research
you can do for a short critical essay like this one can quickly
become overwhelming. Identifying a narrow topic for this
essay is thus essential. And while you probably should make use
of some critical materials, you should be quoting and citing the
novel itself more often than you quote and cite critics.
Our discussions in class should give you plenty of ideas.
Option 2
(preparatory work due 12 November, essay due 21 November): The
Asiatics by Frederic Prokosch. Compared to The
Sun Also Rises, you will find few critical examinations of
The Asiatics, so you probably will not be able to depend
on nor need to deal with critical sources. A narrow
topic is again crucial here: theme, narrative voice, figurative
language, characterization, and the picaresque form are all possible
areas of exploration.
Option
3 (preparatory work due 25 November; essay due 5 December):
If on a winter’s night a traveler by Italo Calvino.
A novel that is as experimental in form as this one obviously
gives you opportunities to take different approaches. The
structure of the book itself, with its combination of distinct,
incomplete texts and the second-person narrative that ties them
together, offers several options: you can consider the separate
texts within the text (in whatever detail you like, though you
should not simply choose one of those texts and focus entirely
on it), the overall narrative, or the connections between them.
In the case of this book particularly, I would recommend you at
least look at Calvino’s short book of essays on what he
most values in literature, Six Memos for the Next Millennium.
The context those essays (the book actually contains only five,
all of which are short enough to have been lectures) provide will
answer many of your questions.
Note:
if you chose Option 3 for the Poetic Form essay, you cannot choose
Option 1 for the Close Reading
essay.
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| Preparatory
Work |
By 8:00 p.m.the
day marked on the Class Calendar, send me a Word document (doc or
docx file extension, please) including
1) a tentative
thesis statement (not just a topic but an actual thesis)
2) three properly formatted and cited quotations from the
text that you plan to use in your essay; these may be any length,
but each quotation must help you support one specific point
3) one sentence for each of the quotations explaining what specific
point you believe that quotation will help you support; obviously,
this point must have some connection to the essay’s thesis
4) if you plan to make use of any context in your essay, at least
one quotation from a work that you think will help you make your
point
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| Due |
The
due date varies according to the option chosen as shown above.
Please
send your essay as a Word document (doc or docx file extension, please)
to me directly by 8:00 p.m. on the day it is due.
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| Length |
Between
1800 and 2200 words of your own work, which in 12 pt. Times New Roman
with 1" margins means approximately 7 full pages of your own
writing. Note that the word count should not include quotations,
the Works Cited, the title and header, nor any other means of artificially
extending the papers apparent length. The actual paper
length should be 2000-2750 words due to all the quotations, which
need to be plentiful. Use the Word Count function to calculate
the count with and without quotations (but please leave out the header
and Work Cited) and put the results at the bottom of the essay.
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| Evaluation |
The
quality of your understanding of and insights into the work and your
use of quotations to support your ideas will determine your Content
score. I will multiply that score by a Style and Format score
that will be determined by the quality of your writing, including
your organization, grammar, style, concision, and adherence to the
rules of citation and format. The Content Score (presuming the
essay is of the proper length and responds to the assignment) can
range from F (55) to A+ (100). The Style and Format Score can
range from (unacceptable work) to 1.1 (exceptional work). Thus
your final score for this essay can be as high as 110% of full credit.
Failing to send me your Preparatory Work on time will result in a
two-grade deduction on the final essay grade.
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